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Welcome to one of the largest fan websites on the internet. Mantovani, the "Grand Master"* of light orchestra music  wanted his large string orchestra to sound as if it were playing in a cathedral. Avoiding echo chambers or electronic gadgetry of any kind, he achieved this unique majestic and elegant sound using nothing but his arrangements, orchestrations, and his amazing leadership. There were no electronically amplified strings or other instruments atypical to a large concert or recording orchestra. The orchestrations used the natural acoustics of the concert halls and recording studios. The arrangements simply achieved the absolute best from the instruments used and the talent of virtuoso musicians. Nothing "easy listening" came from Mantovani and His Orchestra. The presentations required careful listening as any dedicated fan will tell you. The delicate and poignant renderings, harmonies, and amazing counterpoints are legendary and are still appreciated by music lovers around the world. Even simple themes were dressed up to classical, concert worthy, and heart touching performances under the baton of Mantovani. This site is dedicated to perpetuating his legacy and that of the talented virtuoso musicians also responsible for the music.

Mantovani heard something in melodies that made them better and then interpreted what he heard into elegant orchestra arrangements. He made melodies sweeter and more touching than imagined even by the composer. For instance, check out this link to Strauss Blue Danube to support this opinion. You will not hear the Blue Danube played more beautifully even in Vienna. If you have trouble sleeping, would like to calm your unborn baby so that you can sleep during pregnancy, perhaps you could put some Mantovani on your CD Player and relax. Many others have and it really works. What a nice way to relax. It doesn't mean the music is "easy listening". It is not. Mantovani music calls for some sophistication and a good music ear. But even with a tacit understanding, it is beautiful and spiritually fulfilling.

Mantovani, a Marine, a Relationship, and Orange County, California

A love for Mantovani music and the marriage of our Don and Annette Southwell

From the OC Register article, " Goodbye, "Semper Fi" The demilitarization of Orange County goes on 10 years after the closing of the El Toro and Tustin Marine Air Stations.

"...Many were like Don Southwell, a Michigan native. Assigned to El Toro in 1955, the sergeant would go into Santa Ana to buy the classically tinged albums by Mantovani at the Blue Note record store. There he met a clerk named Annette.

"She said she went out with me because she wanted to see if I was really as square as I seemed," Southwell said. "When everyone else was buying Elvis Presley and Bill Haley and the Comets, I was buying Mantovani."

After returning to Michigan for college, Southwell moved permanently to Orange County. Now married to Annette, he got a job at Autonetics North American and settled in Anaheim. He was one of thousands of former Marines who found jobs at McDonnell Douglas, Raytheon, Hughes, Loral and other defense and aerospace firms hungry for disciplined, skilled employees.

"Getting assigned to El Toro is the best thing that ever happened in my life," he said..."

We were very pleased to find this very interesting article on our friend Don Southwell this morning and we thought you would appreciate reading it as well. Here is a link to the full story. http://www.ocregister.com/articles/county-orange-marine-2481926-toro-marines

Happy Fourth of July to my American Friends. God Bless our glorious Constitution.

M*A*S*H in real life Nurse recalls Korea, ‘The Forgotten War’

(and Mantovani Music)


 

 

(From the Lancaster County (Pennsylvania, USA) "Lancaster On-line". Copyright (c) 2009,
Intelligencer Journal
Published: May 25, 2009
"When nurse Marie Cottrell tried to enlist in the Army during World War II, her 5-foot-7 1/2-inch, 120-pound frame was deemed "too thin," and she was turned away.

A few years later, the Korean War began. Cottrell's weight hadn't changed, but this time the military welcomed the Long Island native. It had become apparent that more surgical nurses were going to be needed to help the large numbers of wounded soldiers.

At so in April 1951, at age 30, Cottrell began basic training at the San Antonio Hospital.

She was sent to Fort Leonard and Fort Dix before heading overseas to Osaka, Japan, in January 1952. Six months later, she was transferred to Korea, where she spent the next 14 months as a first lieutenant with the 121st Evac Unit, near Seoul.

"We had quite a large unit," the Manheim Township resident said. "We were lucky. Our hospital was a burned-out school building."

They had a lot of work, treating an average of 100 patients every day. More than 40,000 soldiers came through the evac unit during the time Cottrell was stationed there, she said.

Cottrell was an operating room supervisor, tasked with seeing that the tables were set and ready to go for each surgery. "We had 10 tables in a big room, and we kept moving them in and out for minor surgeries. We also had two rooms that were private for major surgery."

Cottrell was in charge of the 12 nurses in surgery and the GI medics..."

"It was brutally hot in Korea, and we spent six weeks without showers. That was not good," she said.

Cottrell said she thought their nine-hole latrine would be the end of her. "I can't go in public places, but I learned."

Medical personnel lived in quonset huts. "In the front was the sitting room. A bar was in the sitting room, and we partied. ... It was just party, party, party, like they did in the 'M*A*S*H' TV show."

She recalled that cigarettes were 20 cents a pack and booze was $2 a bottle, which they bought at the officer's club.

The bulletin board, she said, was where they "found out all the dirt, the scoop."

"We had a radio, and the G.I. station played the most beautiful music — Mantovani. It was so peaceful, it felt like being in heaven. I went to see him at Carnegie Hall when I got home," Cottrell said.

Cottrell also recalled "Bed Check Charlie," a single plane that made regular night-time nuisance bombing runs. "At 10 p.m., the North Korean Communists flew over us. They blew up an oil tank near us one night, but most nights nothing, just fly over us to scare us," she said."

Mantovani Influence on ABBA Music

From The Guardian (UK) Observer

Benny Andersson of ABBA

"Soundtrack of my life: Benny Andersson

The Abba star tells Craig McLean about six records with a very special meaning for him ......

My introduction to melody ...

Mantovani, Film Encores (1957)

For some strange reason when I was 12, 13, I bought this. There was a lot of wonderful music on it: Laura, Limelight, Three Coins in the Fountain. You know what Mantovani is like: strings and tons of reverb. So very not rock'n'roll. I learned all these songs and that brought me into melody-making. The essence of good music to me has always been good melodies..."

Editor's note: I've always loved the work of ABBA who were absolutely true musical talents on the level of Chicago. There is no other way of describing the quality of their magnificent work. It seems that the list of music stars who are, in-fact Mantovani fans is growing and includes Smokey Robinson and Bono.

 

YouTube and Mantovani. If you were to search for "Mantovani" on YouTube, you'd find there are 759 videos available. Who can doubt the current world popularity of Mantovani? Here are statistics that support the fact that there remains a world-wide interest in beautiful Mantovani music. The statistics are accompanied by selected viewer comments. Note:  The quality of sound from YouTube is very poor compared to that from a good quality vinyl or CD release. If you click on the title, it will take you to the specific YouTube video. Please use your [Back] button to return to the Mantovani Fan Website. The numbers seem to be increasing by hundreds per day. Wow!!!  The comments are very touching. They reminded me of the comments we received on Mantovani's 100th Birthday Tribute. You may read them by clicking here: Tribute

Title Views Comment
  28 May 2009 12 June 2009  
Le Ronde/Greensleeves (from a 45 RPM double recording) 9,209 9,819 Gracious! The memories come waltzing down. Used to hear this 35 yrs. or more ago on the radio and never knew the name of it (La Ronde)! Still so lovely, many years later! Viva Montovani!
Swedish Rhapsody 22,836 24,063 Just wonderful. Brings back great memories. I always tried to pick out the accordion parts every time I heard it as a chikl.. Thanks for posting.
Edellveiss 30,163 36,087 if u close ur eyes then open them again u can imagine urself in another place a beautiful place of course
Elizabethan Serenade 16,396 18,164 I am 25yrs and this song takes me back to grade three when we would have music. I remembered being absent that day we were supposed to write it and for the next few days we learned to sing it.I loved the song so much but didn't have the words. Until today. It's beautifully serenading.The serenity it brings is just undescribable. Great piece of music
Le Mer (Beyond The Sea) 49,506 52,473 Oh man!!! what beautiful feelings you have stired in me. Memories of an earlier life that was free of many of todays ills. Note: there are other versions following Mantovani's on the program.
Blue Danube 29,542 31,536 lindo, musica dos sonhos maravilhoso. I'd like to add my own comment, this is the piece that introduced me to Mantovani in about 1953-1954. My life has never been the same since then. You will not hear this Strauss masterpiece played more beautifully, even in Vienna. Listen for the bell like sound from the high strings.
Some Enchanted Evening 33,116 34,549 Thanks to YouTube we can see and hear the evolution of Montavani's music. Note: Listen to Charlie Botterill's magnificent Deagan Vibraharp.
La Paloma 25,648 26,605 The most beatifull music that I like me very much. Thanks,
Come Prima 44,308 46,331  oh,Lord, such beautiful masterpiece. you don't need romance to feel that love. Thank you for your sharing.
Sweet Lelani 60,038 63,243 Mantovani's music is just lovely, and ageless
Theme From Exodus 36,104 37,951 Unbelievable,Unbelievable,Unbelievable all the music… and all feelings in just one instrumental…
Under Paris Bajo el cielo de París) 45,423 47,293 What to GO! kraustrujillo ! Your hitting home to my heart on this tune! WoW! Can't say enough! My parents used to play. !!!!!La orquésta de Mantovani, hace mucho que no la escuchàba, muy buena orquésta!!!!! Note: listen to the magnificent transition to the Mantovani Signature Sound (he did not use it everywhere).
Ebb Tide 10,641 12,093 why o why can't there be more gorgeous music like this on the radio ? Thank God I was privy to his music when growing up and listening to my parents radio player. His music is a PRIME example of WHY everything doesn't always have to have a BEAT <<<<<<<<<<<<<<< ! God bless that there will be more beautiful music like this in the world !
Amapola 13561 14,938 ellissima musica!!! Grazie Luiz !!!! Besos Perla.
Theme From Limelight 10,467 11,625 OH MAN! How awesome! I was so lucky to see them live in concert! Thank you for sharing!
Greensleeves 10,404 11,378
The most human melody , a melody that connects people with the heavens !!!
Tulips From Amsterdam   66,106 Mantovani's strings ALWAYS make me shiver.
Totals
447,362

 

497,923

 

Increase= 50,561

 

This site is currently dedicated to a Mantovani Fan who is a beautiful spirit and a beautiful lady who is serving her country in Afghanistan. God Bless and protect my friend.

 

In memory of Paolo Mantovani

Amid many tribulations,
in the midst of so much sadness and despair,
in the midst of so much inhuman suffering,
in the midst of so much pain and helplessness,

We can find an island of peace and honest joy,
We can find a little peace of mind
To our consciences and hearts,

 
 from JavierVMaldonado on YouTube on a Mantovani and His Orchestra Selection

To hear examples of the outstanding orchestrations by Mantovani and His Orchestra, visit the website Jukebox.

Notice to Amazon Customers: Effective immediately we are severing our ties with Amazon.com and Amazon.co.uk. They have been absolutely terrible to work with and we realize such low revenue from our arrangement, it simply is not worth the effort. Last year we made less than $50.00. The maintenance and fees for this very large Fan Website is many times that figure. We would be very pleased to entertain suggestions for a relationship with another supplier and invite proposals in this regard. We hoped that the relationship with Amazon would be helpful for Mantovani fans as a source for the many new releases. It literally takes months to get Amazon to feature a new CD release in their offerings.

Please, if you have any suggestions on how we can help fans get to reputable suppliers, please email: .

 

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Vocalion releases: "Songs Of Praise" by Mantovani And His Orchestra

From Theo Gelderblom, The Netherlands

We added some track segments for your review. Please note that the track segments are in Monaural and a much reduced sound quality than the recordings from Vocalion. If you have never heard Mantovani playing sacred music, this should convince you of his mastery. Simply click on the title that is hyperlinked to the MP3 file. We had to reduce quality to keep the file size reasonable.

Purchase direct from Dutton Laboratories:

http://www.duttonvocalion.co.uk/

+44 1923 803 001

UK (01923) 803 001

Mantovani, the undisputed King of light 
orchestral music, makes yet another 
appearance on Vocalion, this time with 
his 1961 Decca album Songs of Praise. 
In partnership with his regular arranger, 
Cecil Milner, Mantovani produces rich, 
spellbinding orchestral renditions
of hymns.  Also included is Rock 
of Ages, which originally only appeared 
in the American version of the album. For some of 
the hymns, the Sammes Chorus accompanies Mantovani's
 orchestra, adding a further to dimension to what is 
a characteristically gorgeous Mantovani album. 
 
NEW VOCALION RELEASE CDLF 8133 : 
MANTOVANI AND HIS ORCHESTRA
"SONGS OF PRAISE"
ORIGINAL LP SKL 4152 (1961) STEREO
-A Mighty Fortress is our God (Luther; Hedges arr Milner)
-Whispering Hope (Hawthorne arr Mantovani)* 
-Nearer my God to Thee (Mason arr Milner)* 
-The Lord's my Shepherd (Grant arr Milner) 
-Abide with Me (Monk; Lyte arr Milner) 
-Onward Christian Soldiers (Sullivan; Baring-Gold arr Milner)*
-The Holy City (Adams; Weatherly arr Mantovani)
-Eternal Father Strong to Save (Dykes; Whiting arr Milner)*
-Beautiful Isle of Somewhere (Fearis; Pounds arr Mantovani)
-Jesu, Lover of my Soul (Parry; Wesley arr Milner) 
-Jesu, Joy of Man's Desiring (Bach arr Milner) 
-Little Brown Church in the Vale (Pitts arr Mantovani)
=All People that on Earth do Dwell (Bourgeois; Kethe arr Mantovani)
-Rock of Ages (Hastings; Redhead; Toplady arr Milner)*
* with the Sammes Chorus

From Colin MacKenzie:

Anyone who knows this landmark album well will be delighted to learn that the 14 tracks recorded at three sessions at Kingsway Hall and West Hampstead in August 1961 are reunited at last. When the American version of the LP was originally issued, "Rock of Ages" was included, but "All people that on earth do dwell" was omitted; similarly, the 13 track British LP issue did not include "Rock of Ages". Now that this augmented "Songs of Praise" album is available in a single 50 minute + CD format at a bargain price, it should be snapped up by all Mantovani fans, especially those in Britain for whom it is appearing for the first time on CD. Even if you are not remotely religious, this selection of music is utterly glorious, for it succeeds in inspiring and moving the soul, particularly in these troubled times.



 


			

 

From Colin MacKenzie (continued):d

Three of the pieces were recorded using the Kingsway Hall organ and there are five that include a muted female vocal chorus supplied by Mike Sammes which in no way detracts from the overall presentation. Indeed, where appropriate, these choral harmonies are skilfully welded into the arrangements which, for the most part, lay in the hands of master arranger Cecil Milner who contributed to as many as nine of the 14 scores. His sterling work on the album is rightfully acknowledged in the detailed sleeve notes which tell for the first time the story behind the album. Cecil's contribution to Mantovani's successes was crucial, and this is perhaps his crowning moment.

It seems that Monty carefully pondered a collection of hymns and songs of praise for at least 18 months, considering all the while how such melodies could be recorded without using the so familiar lyrics. How well he triumphed can be experienced here. Everyone will have his or her own particular favourite, but it would be invidious of this reviewer to single out any one particular track. It's quite simply a wonderful collection, one of Mantovani's best, and an essential addition to the collections of all lovers of good music. Our grateful thanks should go to Mike Dutton at Vocalion for making this superb album available. For this particular reviewer it's just wonderful to be able to sing the praises of this great album once more.

Colin MacKenzie


Editor's Note: The music of Mantovani's "Songs of Praise" inspires lots of correspondence to this website from all over the world. When you hear the arrangements of Mantovani and Milner, you will understand, regardless of your religion or faith.  I am sure this will be another winner for Vocalion. I haven't heard the CD yet but I am certain Mike Dutton and his engineers have done an outstanding job. I know that I will hear things in the playing that I never realized previous as a result of their work.

  If you're looking for sheet music, we recommend Sheet Music Plus. They have the world's largest selection, guaranteed low prices, and great customer service.

Mantovani Sheet Music from

 We get many inquiries regarding  Mantovani sheet music. In response we present the following sheet music/music books available from Sheetmusic plus Click on the hyperlinked title to go to the description):

 

Gypsy Legend [arrangement]

By Annucio Paolo Mantovani (1905-1980). Arranged by Milner, Arranger. Pops Italian: 20th Century. Keyboard/conductor score. Duration 3.5 minutes. Published by Edwin F. Kalmus (KM.A8790)

$3.00

 


Poem to the Moon

By Annucio Paolo Mantovani (1905-1980). Arranged by Binge, Ronald (1910-1979), Orchestrator. For 2, 2, 2, 2, 3 saxophone - 4, 3, 3, 0, timpani, percussion, harp, strings. Pops Italian: 20th Century. Set of parts. Duration 3.5 minutes. Published by Edwin F. Kalmus (KM.A8791-STP)
 

$60.00  | Usually ships in 2 to 3 weeks


Poem to the Moon

By Annucio Paolo Mantovani (1905-1980). Arranged by Binge, Ronald (1910-1979), Orchestrator. Pops Italian: 20th Century. Keyboard/conductor score. Duration 3.5 minutes. Published by Edwin F. Kalmus (KM.A8791)
 

$3.00  | Usually ships in 2 to 3 weeks

Poem to the Moon

By Annucio Paolo Mantovani (1905-1980). Arranged by Binge, Ronald (1910-1979), Orchestrator. Pops Italian: 20th Century. Keyboard/conductor score. Duration 3.5 minutes. Published by Edwin F. Kalmus (KM.A8791)
 

$3.00  | Usually ships in 2 to 3 weeks
 


 

Gypsy Legend [arrangement]

By Annucio Paolo Mantovani (1905-1980). Arranged by Milner, Arranger. For 2, 2, 2, 2, 3 saxophone - 4, 3, 3, 0, timpani, percussion, harp, strings. Pops Italian: 20th Century. Set of parts. Duration 3.5 minutes. Published by Edwin F. Kalmus (KM.A8790-STP)
 

$60.00  | Usually ships in 2 to 3 weeks


Perhaps with a few sheet music sales we can encourage Sheetmusic Plus and publishers to consider re-releasing Mantovani sheet music and books.

I have some Mantovani sheet music, long out of copyright protection available for the cost of duplicating and shipping. I'll make up a list and publish here.

Let us know if your orchestra has developed a Mantovani presentation. We would love to feature the story on the Mantovani Fan Website with pictures, biographies, etc. For assistance in achieving a Mantovani sound with orchestra, let us know. We'd be pleased to offer advice and suggestions.

 

Listen to the magnificent vocal (on YouTube) of Louise Tucker singing "Only For  You" written around the beautiful Ronald Binge "Elizabethan Serenade". (Click on picture to take you to the Youtube video) Use your browser's [Back] button to return to your Mantovani Fan website.

 


 

Webmaster's note: We frequently receive notes from Mantovani fans regarding real recordings by Mantovani And His Orchestra and recordings distributed fraudulently using the Mantovani name. Should you not be certain that the offering is a genuine recording by Mantovani And His Orchestra, please feel free to email us and we will respond very quickly. Here's the Email address: (click the address).

 

 

Visit the site of the magnificent American virtuoso Violinist, Hilary Hahn. What an unbelievable talent (click on the picture):

 

 

 

 

 

New Vocalion Release: Strauss Waltzes and Mantovani Favourites

For more New Releases information go to our New Releases page by clicking here: New Releases

Original LP cover art:

Track Listings:
STRAUSS WALTZES
ORIGINAL LP DECCA SKL 4010 (1958) STEREO
Blue Danube (Johann Strauss arr Mantovani)
Voices of Spring (Johann Strauss arr Mantovani)
Roses from the South (Johann Strauss arr Milner)
Emperor Waltz (Johann Strauss arr Mantovani)
A Thousand and One Nights (Johann Strauss arr Milner)
Treasure Waltz 'The Gypsy Baron' (Johann Strauss arr Mantovani)
Village Swallows (Josef Strauss arr Mantovani)
Wine, Women and Song (Johann Strauss arr Milner)
Accelerations (Johann Strauss arr Milner)
Tales from the Vienna Woods (Johann Strauss arr Mantovani)
Morning Papers (Johann Strauss arr Milner)
You and You 'Die Fledermaus' (Johann Strauss arr Mantovani)

MANTOVANI FAVOURITES
ORIGINAL LP DECCA SKL 5271 (1977) STEREO
Londonderry Air (Trad arr Mantovani)
A Walk in the Black Forest (Jankowski; Cowen)
Dream (Mercer)
Dark Eyes (Trad arr Mantovani)
Welcome Home (Beldone; Dupre; Blackburn)
The Party's Over (Styne; Comden; Green)
The Happy Wanderer (Möller; Ridge; Siegesmunde)
Polonaise in A (Chopin arr Kaye; Mossman)
A Trumpeter's Lullaby (Anderson)
The Whiffenpoof Song (Galloway; Pomeroy; Minnegerode)
Tulips from Amsterdam (Arnie; Martyn; Bader)
Auld Lang Syne (Trad arr Mantovani)

 

Editor note: I expect we will enjoy a great review from our regular reviewers shortly but I wanted to say that Mantovani's Blue Danube was the first recording of Mantovani that I experienced in my life. I heard it while riding on a city bus in the early 1950s. I was so stunned by the beauty of the presentation such that I nearly fell off of the seat. I rushed home and called the FM Station to enquire about the orchestra. After several calls and hang ups on their side, the station relented and told me it was Mantovani. I've never heard a more beautiful rendition of the Strauss masterpiece. I know that many of you agree with me on that note. The Emporer Waltz seems to do almost the same thing for me.

From Colin MacKenzie:
The first of four Mantovani album releases for the Christmas market and beyond is the million selling "Strauss Waltzes" which began life as a mono LP back in 1952. The version offered here, however, is the wonderful stereo recording made by Mantovani in 1958 which does rather fuller justice to these sparkling waltzes than a mono album could ever do. In some cases the Mantovani - Milner arrangements from 1952 have been lengthened to great advantage. If you want to hear these waltzes played with verve and enthusiasm by an orchestra of many colours, this is the Strauss album to obtain. So many highlights - the flowing energy of the "Blue Danube", the lovely "Roses from the South", "Village Swallows" with its intriguing stereo effects, the charming "Treasure Waltz" and the timeless "Tales from the Vienna Woods", to name but a few. The entire package is a truly memorable step back into a world of gaiety, romance and charm. Its two-in-one companion was a 1977 hybrid, consisting of previously released tracks together with about seven not heard anywhere else on CD. Compiled by record producer Tony D'Amato, at a time when the maestro was ill and had retired from all musical activity, it includes several choice items such as "Dream" from 1966, "Welcome home" and "Till the end of time" from 1974 or thereabouts and the perennnial favourite "Auld Lang Syne", recorded in early 1962 for Continental listeners. The comprehensive notes, which give an interesting slant on the life of Johann Strauss the Younger, are by Mantovani buff Scott Raeburn.

Purchase direct from Dutton Laboratories:

http://www.duttonvocalion.co.uk/

+44 1923 803 001

UK (01923) 803 001

Original Cover Art:

New Vocalion Release: MANTOVANI MAGIC & CONCERT ENCORES

For more New Releases information go to our New Releases page by clicking here: New Releases

Track Listing:
MANTOVANI MAGIC
ORIGINAL LP SKL 4749 (1966) STEREO
Misty (Garner; Burke)
Red Roses for a Blue Lady (Tepper; Brodsky)
Chim Chim Cher-ee (R M & R B Sherman)
Love Me with All Your Heart (C & M Rigual; Vaughn)
Goodnight Sweetheart (Noble; Campbell; Connolly)
Cara Mia (Trapani; Lange)
I Wish You Love (Trenet; Beach)
Lover (Rodgers; Hart)
Stardust (Carmichael; Parish)
Mona Lisa (Livingston; Evans)
Most Beautiful Girl in the World (Rodgers; Hart)
Auf Wiederseh'n, Sweetheart (Storch; Sexton; Turner)

CONCERT ENCORES
ORIGINAL LP SKL 4021 (1959) STEREO
Clair de Lune (Debussy arr Mantovani)
Spanish Dance (Granados arr Mantovani)
Can-Can 'La Boutique Fantasque' (Rossini arr Respighi)
Chanson de Matin (Elgar arr Mantovani)
Gipsy Airs (Zigeunerweisen) (Sarasate arr Mantovani)
Autumn (Chaminade arr Milner)
Song of India (Rimsky-Korsakov arr Mantovani)
Schön Rosmarin (Kreisler orch Mantovani)
Méditation 'Thaïs' (Massenet arr Mantovani)
Perpetuum Mobile (Johann Strauss II arr Milner)
The third album in the Christmas bonanza is a Rolls-Royce of an issue, one of Mantovani's best ever popular collections, the award winning "Mantovani Magic" from 1966. Everything on this album is just right including the choice of the truly romantic songs and the performances of the musicians. To choose any highlight from the album would seem invidious, but do look out for the gorgeous opening number "Misty", the version of "Cara Mia" with Mantovani himself at the piano, the deliciously tender "I wish you love" and the magical "Stardust". A truly 5 star album which you'll never tire of, however many times you hear it. A fascinating choice to accompany it is Mantovani's "Concert Encores" which includes several of the fiddle pieces Monty played and admired in his earlier days as a budding violinist. Among the melodies sure to find favour are the lovely "Spanish Dance no 5" from Enrique Granados, the dashing "Can-Can", the wistful "Autumn" by the relatively unknown French lady composer Cecile Chaminade, the rousing versions of "Zigeunerweisen" and "Perpetuuum Mobile" and the delicious "Schon Rosmarin", Mantovani's own tribute to the man who inspired him to achieve greater things, the Austrian violinist and composer Fritz Kreisler. Once again, there are fulsome notes, as befits this memorable selection of music by the world's greatest light orchestra. -- Colin MacKenzie.

Purchase direct from Dutton Laboratories:

http://www.duttonvocalion.co.uk/

+44 1923 803 001

UK (01923) 803 001

 

Announcing the Release (in Japan only) of the ten CD Set, "The Wonderful World of Mantovani."

If anyone doubts the strength of the resurgence of Mantovani, the King of Light Orchestra Music, this should dash that opinion. What a wonderful set. My friend Akima Toru was responsible for much of the production. The notes are from Mantovani biographer Colin MacKenzie. As anyone will see on this site, the recording notes and reviews from Colin are informative and educational. Click on the picture below to go to the Japan information and order site. Remember that the set is only available in Japan. Tell them you learned of the release on the Mantovani Fan Website. My friend Akima Toru notes: The track, "Kanashi I" by Mantovani And His Orchestra is the first release of this recording in the world. Thank you Toru.


New Releases

Sheet Music Plus Featured Sale


Who did the arrangements for Mantovani's hundreds of recordings. 

The following table provides information supplied by Mantovani expert Don Southwell.  We should remember that an arrangement is merely one of many steps to bring a composition from concept to a complete performance. Mantovani may have occasionally used other arrangers to bring a composition from the concept to the details necessary for an orchestra score, but rest assured, nothing and no-one stood between this maestro and his vision of how the music should sound. There is quite an interpretation, directing gap between the arrangement and the presentation. The gap resulting in the final performance is directly related to the director's ability to draw what he/she wants from the musicians. As Don Southwell will tell you, this directing ability is not something you acquire in your music education. It is something you are born with. Monty had it for sure.

From Don Southwell: "The figures in the Website were derived directly from the musical catalog for Mantovani's library. I went completely through the catalog selection by selection, assigning each one to the arranger where clearly identified. Those are the numbers in the website table.

There are several hundred or so where the arranger is not identified. For those, I listened to many of them in an attempt to identify the arranger through unique characteristics clearly attributable to Mantovani, Binge, Milner, and Shaw. I was able to pin quite a few of them down, but the Mantovani/ Milner arrangements are to close, in many cases, so a clear identification would be "sporty". Shaw's arrangements can be identified clearly in some cases (where the chord structures are definitely "pop"), but not in others, so again, making a clear identification was to "sporty".":

 
Arranger

Number of Arrangements

Percentage of All Defined Arrangements

Mantovani

339

 (45%)

Cecil Milner

222 

(30%)

Roland Shaw

134 

(18%)

Ronnie Binge

42

(6%)

 

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Why was Mantovani So Successful ? (and some music lessons from Don Southwell) 

"His remarkable humility, i.e., he never took his music or his success for granted; and (2) he used classically styled color chords rather than pop which made his harmonies more unique and his sonorities more colorful."

    Everything is right on the mark, and the referrals to me are accurate. The vibraphone issue is quite unique in that no one used one the way he did and it added so much warmth and color to his orchestrations. In a communiqué from Colin (MacKenzie) not too long ago, he said that he has listened again to so many pieces now knowing what he does about the use of the instrument, and it's remarkable how often it's there without being distinctly heard. I told Colin that for the longest time before I saw Mantovani in person, I heard something unique that added warmth and color to the music, but that I couldn't tell what it was. It was a thrilling experience during my first concert to discover that it was Charlie in the background gently touching the vibraphone (and I do mean gently touching).

   "I would add two things: (1)

The difference between classically styled color chords and pop color chords. Starting with the pop chords, the principle chords in a key are the triads ( C, F and G for example in the key of C), or the seventh ( G7 in place of the G triad). Any chord above a 7th is a color chord, a 9th, an 11th or a 13th (perhaps even a 15th but usually not).

 These color chords are mostly used in jazz which is what gives music a "jazz" sound. They can be used in a ballad orchestrations, but the result is still a jazz oriented sound rather than a "peaceful" sound. Gershwin's use is an example. In classical music, the principle chords plus a seventh are the same as in pop. However; in classical music the color chords are principally augmented 6th's only. There is the Italian 6th, the French 6th, and the German 6th. These chords each have an interval of an augmented 6th. What makes each sound different is the intervals within the augmented 6th (If you want a further explanation of this, I'll do it in a followup). Another color chord in classical music is the Neopolitan 6th. This one is very complicated to explain and make it understood by a non-music person. For our discussion here lets just say that it has an even more distinct sound; and it, like the other 6th's, when voiced correctly in popular music, will give the music a very warm, pleasant and unique sound, classical in nature without disturbing the popular flavor. This is one of the remarkable aspects of Mantovani's orchestrations that made them so unique and enjoyable to the listener. Everyone likes a listenable classical piece with beautiful color don't they? Mantovani knew this and had the talent to give it to them in his music, even though the listener knew there was something so different, but had no idea of what it was that made it so unique and beautiful."

Are Cascading Strings all that Mantovani is about? I think NOT...

Mantovani's music is often recognized by one element the (so-called) 'Cascading Strings'. Please see the Dynamics page for more information.). The "Cascading Strings"  was only one technique employed by the Maestro. He used a vast variety of musical techniques depending upon the need of the composition as he imagined it. Monty used the simple elegance of a clarinet, saxophone, or the orchestral lushness of his large string section and he steadfastly maintained the composition's melodic line and the composer's intent. The colors of his arrangements went from heart felt melodies of Stephen Foster, to Berlin, to Bach.

He would fill stadiums (Toronto 11,500 tickets sold, 10,000 seats) or theatres to standing room only capacity with fans who would become mesmerized by this man and his music. The man introduced more people to a concert hall than any other in history.

And make no doubt about it, it was His music. Learn more about how Mantovani achieved his musical uniqueness from Musicologist, Don Southwell on  The Dynamic Page (click the hyperlink or use The Dynamic at the top of this page. Don explains Mantovani's music technique  like no other person. 

Please see the wonderful story of Trumpeter, Stan Roderick provided by Colin MacKenzie with the assistance of Alan Dixon, Friends and Family. Stan's story on his own brief biography page

A much expanded Mantovani Composition page has been included today through the great help of Colin MacKenzie and the kind assistance of Kenneth Mantovani. 

 

A note of appreciation and thanks: I would like all visitors to know that this vast site wouldn't be possible without the contribution of Colin MacKenzie, Donald Southwell, Richard Cox, Alan Dixon, Akima Toru, Doctor Hidehisa Habe, Matuo Tosimine, Scott Raeburn, and Norbert Costello. The spectacular amount of information that we Mantovani fans relish would not have been available without their selfless contribution. They are all my friends and I am a very lucky man because of this friendship. Sincere thanks to all.

We get over 2000 visitors monthly from *(please note the growing list of visitor countries)

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 United Kingdom, 

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USA,

and 

Our Ladies and Gentleman in Uniform. God Bless Them All!

Please note: if you consider the list of countries within which Mantovani music is popular, it truly transcends all faiths and beliefs.

One-world, Many Faiths.  

Above is the San Antonio-class amphibious transport dock, USS New York . It was built from 24 tons of World Trade Center Steel. May God bless this beautiful ship and all who serve on her.

Let it be known to the world that we Americans will never forget 9/11.

This site was produced and is maintained in the United States of America. Half of our visitors have just discovered the Mantovani Fan Website, the remainder are return visitors. To help offset expenses, please consider purchasing your Mantovani CDs from Amazon through our Catalog.  If you have any issues, comments or concerns, please contact the webmaster, . Please don't forget to include "Mantovani" in the subject area of your email.

Thank you, 

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In loving memory of my sister Sara Campanaro

This elegant : "Jersey" lady passed June 14, 2009

I will miss you so very much my sister and my dear friend. Rest in peace.

 

 

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